#Pit Piccinelli

[pier-carlo-universe]

Arte e Vita: la Mostra Personale di Bona Tolotti. Un viaggio emozionale tra le opere e i ricordi dell'artista

Dal 27 settembre al 26 ottobre 2024, presso lo showroom Zaffiro di Casale Monferrato, si tiene la mostra personale di Bona Tolotti dal titolo "Arte e Vita".

Dal 27 settembre al 26 ottobre 2024, presso lo showroom Zaffiro di Casale Monferrato, si tiene la mostra personale di Bona Tolotti dal titolo “Arte e Vita”. Un’esposizione che attraversa vent’anni di ricerca artistica, sperimentazione e riflessione personale, offrendo ai visitatori uno spaccato autentico delle esperienze vissute dall’artista. Le sue opere, realizzate con tecniche miste,…

[ozkar-krapo]

Walter MAIOLI, Fred GALES, Pit PICCINELLI

"Amazonia 6891"

(2LP. Black Sweat rcds. 2016 / rec. 1985) [IT]

[store15nov]

WALTER MAIOL, FRED GALES, PIT PICCINELLI / Amazonia 6891 (CD/2LP)

[onetwofeb]

Pit Piccinelli / Fred Gales / Walter Maioli - Amazonia 6891 (Excerpt)

[whendubscry]

Pit Piccinelli / Fred Gales / Walter Maioli - Amazonia 6891 [1986] (Full Album) https://youtu.be/2HNRiovoh7s

[myfavouritelabels-blog1]

Happy to have this sexy beast waiting for me at home. Amazonia 6891: Sounds from jungle, natural objects echo and electronic waves by Pit Piccinelli, Fred Gales and Walter Maioli. It’s a collection of ethnographer recordings, audio recreations and stories originally released on cassette in 1986 (released on vinyl by Black Sweat). It’s a sublime work, not dissimilar to the Anthony Child jungle recordings or the Guide to the Birdsong of South America record from a few years back. Love the credits on this record too... #vinyl #gatefold #fieldrecording #gatefoldsleeve #monkeyskull #librarymusic #instavinyl #vinylporn #vinylcollection #vinylrecords #jungle #electronic #experimental #records #vinylgram #vinyladdict #recordcollection (at Catford, Lewisham, United Kingdom)

[inspectorcolombo-blog]

Pit Piccinelli / Fred Gales / Walter Maioli - Amazonia 6891 (Excerpt)

[adrianomontanaroalessandria]

“The Beautiful Trail”: al Castello la restrospettiva su Pietro Pit Piccinelli

“The Beautiful Trail”: al Castello la restrospettiva su Pietro Pit Piccinelli

Alessandria News Venerdì 21 luglio l’inaugurazione della mostra per il centenario della nascita: un racconto a ritroso nel tempo per immagini, scritti e documenti dedicati alla figura dell’artista, antropologo e viaggiatore che scelse il Monferrato come campo base per i suoi innumerevoli viaggi in Centro e Sud America

AlessandriaNews.it http://ift.tt/2uchxg6

[stormyrecords-blog]

new arrivals 1-30-17

stormy records13306 michigan avedearborn, mi 48126 313-581-9322 hello friends of stormy!! great new used lps in stock now, and more coming for satuday. we will be putting out large batches of great newly priced items every saturday - so stop by to see what we may have for you!! in TODAY PICCINELLI, FRED GALES, WALTER MAIOLI, PITAmazonia 6891: Sounds From Jungle, Natural Objects, Echo And Electronic WavesCD on BLACK SWEAT RECORDS  $21.99Black Sweat Records present a reissue of Amazonia 6891: Sounds From Jungle, Natural Objects, Echo And Electronic Waves, originally released on cassette in 1986. The idea to evoke a deep journey in the Amazon rainforest has affected various musicians in the history of popular and experimental music, but compared to other works, this rare Amazonia 6891, released only on cassette in 1986, appears as totally original and extreme in his conception. Here, the interest in ethnomusicology of the expert Walter Maioli (part of Aktuala and Futuro Antico) is linked to a precise and comprehensive ecological, botanical, ethological and ethnographic perspective. In fact, starting from the sound recording of the ethnographer Pit Piccinelli's collection of natural objects, the collected material for this work is re-elaborate in different times by the anthropologist and electronic pioneer Fred Gales and by Maioli himself. The result of this multi-disciplinary approach is a long, concrete poem of plant organisms, field recordings of verses and calls of tropical animals, futuristically mixed with electronic sounds, similar to the great experimental trials of Futuro Antico and Ariel Kalma's 1978 album, Osmose (BS 007LP). Listening to this imaginative collage is like looking into a precious cabinet of antiquities and curiosity, whose wonders of multi-colored cellular fragments are shaped in the synthesis of a single universal sound matter. The merger between the wild jungle, the mysterious voices of the aboriginals and the oscillation of the electronic waves, creates a spasmodic tension between amazing and heavenly moments, leaking obscure paths and alien sequences. Amazonia 6891 is a magic trip into the unknown wild, into abyss of creation of kaleidoscopic floras and faunas, simply a proposal for a synesthetic experience and multi-sensory. VA   Antologia De Musica Atipica Portuguesa Vol. 1: O Trabalho  LP on  DISCREPANT  $22.99Antologia De Música Atípica Portuguesa ("Anthology of Atypical Portuguese Music") is a series focusing on new strains of Portuguese music with an (un-)characteristic foot in past musical traditions of the country; The aim being to re-evaluate its musical history, deconstruct clichés and re-assemble preconceptions into a new and daring musical landscape. Each volume will have a loose theme and will be comprised of Portuguese artists working on the fringes and not following obvious and commercial paths of musical homogenization. Vol. 1 explores o Trabalho ("work") - various work songs both at land and sea are freely reinterpreted in a multitude of ways. Including the vocal tape deconstructions of Live Low, the ethereal pastoral drifts of Negra Branca (Marlene Ribeiro from Gnod), free jazz experimentations of EITR (Pedro Lopes and Pedro Sousa), as well as a very rare solo outing by one half of Yong Yong, Luar Domatrix (Rodolfo Brito). Also featuring on Vol. 1 are the digital voice manipulations of Tiago Morais Morgado, visceral guitar exorcisms by Filipe Felizardo, exoteric chants by Gonzo, Calhau!'s mystic reinterpretations of lost pieces, and an exclusive composition by musician and instrument builder Peter Forest (Pedro Silva) dedicated to a long lost field working man's song, Maria Cavaca. RIYL: Sublime Frequencies, Folkways. TURNER, SIMON FISHER GiraffeLP on  EDITIONS MEGO  $22.99Editions Mego present the latest opus from legendary British composer, actor, sound designer and all-round fine human, Simon Fisher Turner. Giraffe is a new major work which blurs the lines between sound design and song, machine severity and narrative sentimentality. Subtitled "Living In Sounds And Music", Giraffe takes the listener through a vast journey where an abstract clacking of unknown origin rubs up against a melancholic electronic sequence. "Life sounds" were captured with a portable hard disc recorder and iPhone and appear alongside contemporary sound design. Emma Smith provides the narrative on "Slight Smile" whilst electronic machines grind amongst background industrial clang in "Mud Larks". "Save As" revolves around a beautiful simple piano motif which soon folds into an unnerving field recording and drone combination. Giraffe is a document of interior and exterior duality, a living space where machines and the surrounding world collide, a sonic landscape where musical and nonmusical elements are placed on an level hierarchy. The alchemy of these constituent parts results in the magic of Giraffe, one where the symbiotic sequence of events highlights a unique approach to sound as rapturous matter in whatever form it takes. "Colour Fullness" features Elysian Quartet and Sawada. Elysian Quartet are Emma Smith, Vince Sipprell, Jenny Logan and Laura Moody. Vocals by Misako Yabuuchi and Emma Smith. Recordings made from 2008 to 2016. Mastered and cut at Dubplates & Mastering; Engineered by Rashad Becker. Nicola Conte Presents Viagem 3: A Collection Of 60s Brazilian Bossa Nova And Jazz Samba  $15.99CD on FAR OUT RECORDINGS2011 release. Travelling back to 1960's Brazil, the Viagem series takes its third voyage. Digging further still, Brazilophile and Italian jazz don Nicola Conte has re-discovered eighteen choice rarities from 1963 to 1970. As the global center for all that was musically chic, these bossa nova and samba jazz hybrids blend the passion and far out darkness of Afro-Brazilian music with the sophisticated style of Europe and North America. Often written to take bossa back to the people and in protest against the dictatorship that took hold in 1964 these long-neglected classics are expertly conjured together by Blue Note, Universal and Schema recording artist Conte. This evocative mix perfectly mirrors the creator's laid-back cool and a cosmopolitan Brazil at its creative peak. Italian DJ and producer Nicola Conte became famous with his lounge-y brand of jazz that relies extensively on bossa nova, but is also heavily influenced by the swinging soundtracks of Italian films in the '60s and '70s, plus touches of ethnic music and kitsch. Conte masterminded the Schema label and in his own recording career scored an underground hit with first single Bossa Per Due (2000). Conte's debut album Jet Sounds (2000) was followed by remix album Jet Sounds Revisited in 2002 and two years later Conte debuted on Blue Note with Other Directions (2004). Following his latest studio album Rituals on Universal (2008), Conte satisfied his love for and dedication to Brazilian music compiling Viagem and Viagem 2 on Far Out Recordings in 2008 and 2009. He releases Viagem 3 shortly before his latest studio album in 2011. Evident in his own soulful approach to his music Conte has brought to the fore a truly legendary era in jazz and Brazilian music. The selection of so many undiscovered tunes is sure to reignite the flames for many who have been digging for these ultra-rare tracks since their '60s heyday. Features: Dalmo Castello, O Triangulo, Luiz Carlos Sá, Aizita, Octons, Vera Brasil, Walter Matesco, Marisa Barroso, Marcio Diniz, Carlos Sodré, Bossa Trio, Kazinho, Henrique Benny & JT Meirelles, Wan Trio, Eliana Pittman, Claudia, Brasil 40 Graus and Werther. VERMONT IILP on KOMPAKT $27.99LP version. 180 gram vinyl. Includes download code. Following their much-acclaimed surprise, self-titled debut album Vermont (KOMP 114CD/KOM 293LP) from 2014, Motor City Drum Ensemble's Danilo Plessow and Innervisions's Marcus Worgull reunite for more synth daydreaming on the suitably titled II. The new outing continues where the first full-length left off, strolling further down the luminous and undulating path that the duo turned into, influenced in equal measures by kosmische, krautrock, minimal wave and synth soundtracks. This latest batch of instrumental cuts opens with the strictly Balearic vibe of "Norderney", a softly swinging, light-footed recording with a keen sense for structure. Featuring a guest performance from Robbert Van Der Bildt (aka Kaap) on guitar, it's a telling starting point for the album that - similar to Vermont's self-titled debut - successfully navigates between economic, careful studio arrangements and playful, incidental exploration further pushing into jam session territory. Van Der Bildt's guitar returns on the plucky, curious "Ufer", where Vermont showcase a renewed sense for jazz-like improvisation - same as on the cuts "Dschuna", "Chanang" and "Wenik", which also include contributions from Dermot O'Mahony and Tadhg Murphy on strings. Still, Vermont's synth contraptions remain the album's main attraction, with the extensive array of gear encompassing an entire panopticon of analog bling - from Arp Oddysey and Moog Prodigy to Fender Rhodes, Juno and Prophet - list-studying gear heads will find lots to drool upon. Consequently, tracks like "Chemtrails", "Unruh" or "Gebirge" err on the machine side of things, expertly interweaving arpeggiated sequences for maximum atmospheric effect. Foreboding, slightly menacing synth motives as on "Skorbut" or "Chemtrails" are perfectly balanced with the casual ambient of "Hallo Von Der Anderen Seite" and the nostalgic warmth of "Demut" - while the gentle push of the masterful "Ki-Bou" even carries a whiff of classic deep house, linking the Vermont project to Plessow and Worgull's main careers as dancefloor movers and shakers. Continually intriguing, immersive and texturally rich, each one of Vermont's new pieces betray the experience, precision and determination of the producers involved - while opening up Worgull and Plessow's vocabulary for patient experimentation and subtle discoveries. A musical treat for synth aficionados - and everyone else. CURRENT 93  BaalStorm, Sing OmegaLP on COPTIC CAT  $32.99Coptic Cat present a reissue of Current 93's BaalStorm, Sing Omega, originally released in 2010. Spinning in the Baalstorm as Current 93 were and weren't: Eliot Bates, James Blackshaw, John Contreras, Baby Dee, Andrew Liles, Melon Liles, Alex Neilson, Bea Taylor, Isabel Taylor, and David Tibet. Includes a four-page 12" booklet with photos of the band and lyrics; Color sleeve with artwork by David Tibet; Edition of 500. CURRENT 93 Honeysuckle AeonsLP on COPTIC CAT $32.99Current 93, who were "As Cool As Llies" and "As Real As RainBows", are now "As Perfect As Planets": Eliot Bates, Baby Dee, Andrew Liles, Lisa Pizzighella, Armen Ra, and David Tibet. Black and white sleeve with artwork by David Tibet and contains a two-sided black and white insert with all the lyrics and photos of the C93 family. Comes on gold vinyl; Edition of 500. AGE COIN PerformanceLP on POSH ISOLATION $25.99With a handful of tapes on Posh Isolation, as well as the album Perception on Alter (ALT 013LP, 2012), Kristian Emdal and Simon Formann (aka Age Coin) have developed a project whose momentum and reputation has steadily escalated, finding common ground between electro-acoustic methods and quantized club nights. Both Emdal and Formann are best known as members of Lower. Emdal has lately pivoted his time around Marching Church, a band comprised of some of Copenhagen's finest, whilst Formann has been working under the guise of Yen Towers, releasing his debut 12" on Posh Isolation in early 2016 (PI 175EP). "Trespassing on intimate territory," says Emdal of their new recording, "[Performance] cuts a transparent path for everyone to come walking. The album is ultimately a joint effort to process past as well as present experiences within father son relations. In order to make things tangible, scenes are drawn from memory and merged in a shared fictional collage." Performance thrillingly presents Emdal and Formann in a new cryptically lush aspect. There is a sense that one is watching a slide show - familiarity motions like the tide in the form of acoustic instrumentation, and porous synthesized terrains are crossed with a feeling, not a map, nor a memory. As one watches, the creeping ambience comes to be less an invasive sensation and more of a gravitational pull through time itself. It's as effortless as it is disorientating, like being stalked by a relic. Propellants ascend in to the foreground from all directions. Rhythmic NO2 afterglow comes in waves in reverse. Weightlessness is induced; and rebound. Emdal continues, "Take in the view or let yourself be part of the language. Let the engine run and dip in to the swampy collective intelligence. Performance is a hybrid memorial for all domestic actions committed in the name of love." HAINO/JOZEF DUMOULIN/TEUN VERBRUGGEN, KEIJIThe Miracles Of Only One Thing LP  $17.99cd also available $16.99LP version. Japanese legend, Keiji Haino, meets two of Belgium's most active and valued musicians, keyboardist Jozef Dumoulin (Lilly Joel) and drummer Teun Verbruggen (Othin Spake). The Miracles Of Only One Thing is a deep and intense testimony of this meeting. Keiji Haino, without any doubt one of the most important musicians from the Japanese underground scene, is at his best, Teun Verbruggen and Jozef Dumoulin did a three-week tour in Japan in September of 2015, playing concerts as a duet, but also solo and with local musicians. One of those musicians was hero Keiji Haino, whose work has spanned rock, free improvisation, noise, percussion, psychedelic music, minimalism and drones. Besides his legendary bands Fushitsusha and Lost Aaraaff, he has worked with artists and bands like Boris, The Melvins, Jim O'Rourke, Oren Ambarchi, Peter Brötzmann and Steve Noble. As for Dumoulin and Verbruggen, they are both known for their always refreshing and groundbreaking work that breaks the barriers between free improvisation, electro, jazz and more. Jozef Dumoulin is part of the duo Lilly Joel appearing recently on Sub Rosa with What Lies in the Sea (SR 416CD, 2015). The three teamed up for a studio recording and a recorded live-show. Out of all the material, they distilled an album that reflects both the excitement of the new bond as well as the deep and vast sonic landscapes that their joined forces laid bare. Personnel: Keiji Haino - guitar, vocals, flute, gongs; Jozef Dumoulin - Fender Rhodes; Teun Verbruggen - drums, electronics. PORTER RICKS  Shadow Boat EP12" on TRESOR  $14.99Following a seventeen year hiatus since the release of Symbiotics (1999), Porter Ricks, the duo of sound artist Thomas Köner and music producer Andy Mellwig, return with Shadow Boat EP. In their silence, Köner has been working extensively as a sound designer and artist - exhibiting at the Centre Georges Pompidou, The Louvre and more. Mellwig has collaborated with Kevin Shields, Pete Kember and Gehrard Behles. Shadow Boat EP is deeply nuanced in its perception of space, using complex layers to add depth, detail, and density to non-formulaic techno compositions - buoyant dub, hazy ambience, and colorful sound design. SCHNAUSS & JONAS MUNK, ULRICHPassage CD  $16.99Passage is the second collaborative album from London-based synth-wizard Ulrich Schnauss and Danish producer Jonas Munk. 11 tracks of breezy, blissed-out electronica and colorful ambient. As the album title denotes, there's a sense of movement in the music these two producers create together: a Schnauss and Munk composition starts one place and ends up someplace very different - something that can only rarely be said about electronic music, which traditionally has focused its energy on texture rather than composition. Sometimes their vivid, expansive soundscapes feels like the sonic equivalent of gliding towards the horizon through a panoramic landscape on a train. One's perspective changes slightly when in motion from one place to another - continuously approaching new things and leaving others behind. There's a prismatic, multi-dimensional quality to these 11 tracks, likely stemming from the fact that these two producers each have worked with a wide range of styles and musicians throughout their 15+ year careers: Ulrich cut his teeth as a drum and bass producer in Berlin, before releasing a string of highly influential neo-shoegazy records on labels such as Domino and City Centre Offices. Since moving to London in 2006, he's been a member of bands such as Engineers and Longview and remixed artists ranging from Depeche Mode and Pet Shop Boys to Mojave 3, and since 2013 he's been a member of legendary band Tangerine Dream. While Jonas Munk initially became known to the post-rock and electronica communities via his Manual albums on Morr Music and Darla Records, he's also had his hands in psychedelic rock (he's a noted producer in the European psych scene and is in the band Causa Sui) as well as film soundtracks and experimental minimalism. Both Ulrich and Jonas, however, have the skills of seasoned producers to weave the multitude of influences together in a well-defined sonic aesthetic. The result is a compelling set of melodic electronic music that echoes the past, yet feels fresh. WIRE Magazine #396 February 2017 MAG  $10.50"In this month's issue: a conflab with Run The Jewels, hiphop's 24 carat duo of El-P and Killer Mike; a rare interview with Russian composer and Tarkovsky collaborator Edward Artemiev; a round up of Lisbon's new jazz vanguard; plus Dubplates & Mastering's Rashad Becker takes the Invisible Jukebox test; and not forgetting all the (un)usual monthly views, news, and reviews." GROUP DOUEH & CHEVEUDakhla Sahara Session LP  $19.99LP version. Includes an eight-page insert and a download code. The random-access memory of an hourglass. On the one hand, there's Cheveu, the French three-member band, whose soundtrack has never ceased to question music codes by exceeding various genres and pushing back their limits. On the other hand, you have Group Doueh, a Sahrawi band from the Sahara desert (Dakhla). Their music spans across many styles and hammers tradition with unprecedented finds. In between both their remote musical universes dwells a sound clash. It embodies the meeting between two arts of living music day by day, two ways of transmitting, of enchanting the world or refusing to do so, of exploring the repertoire as well as tradition and creation, two visions of the collective - the list of reasons why these guys should have probably never met or could have failed to get along is quite extensive. This piece was recorded in two weeks in Dakhla in January 2016. The mere project seemed like a surreal challenge, something that was almost impossible to achieve and for which time was going to hold major importance. It brought about a telluric big bang, an atomic creation, a story of primitive energies setting the record straight in the whole world. That is, two radically different understandings of time ZOS KIA/COILTransparent CD  $16.99The entire Transparent recordings released for the first time, completely remastered from the unedited tapes. Zos Kia was formed by John Gosling (Mekon), John Balance (Coil) and Min - with guest Peter 'Sleazy' Christopherson (Throbbing Gristle). Their one and only album, Transparent, was released on August 23rd, 1983 in a cassette only edition on the now defunct Austria label Nekrophile. They were the first released recordings of both Coil and Zos Kia. It was reissued years later by Coil (Threshold House/Eskaton). Includes two previously unreleased bonus tracks by Ake (pre-Zos Kia). The music on Transparent is genuinely unsettling and disturbing, with a more primal Industrial feel than the Coil album which followed; Scatology (1984). An essential insight into the very early work of these extraordinary artists and an undeniable link between Coil and Throbbing Gristle. CD version comes in a six-panel digipak with a booklet containing unseen images. PROSTITUTESDance Tracksz LP $19.99Dance Tracksz is the body-checking return of Prostitutes, aka James A. Donadio, to Diagonal; a no pretenses rave set built minimal and raw for hard worked 'floors. The label's Cleveland, Ohio ambassador has cut out any sentimentality and gone straight for the rave jugular with no concession to ascetic consistency, knocking up one of his fiercest examples of brutalist funk in the process. It's Prostitutes' third and most substantial release for Diagonal, a swaggering and unzipped affirmation of the styles on 2013's Shatter And Lose and Ecstasy, Crashing Beats And Fantasy from 2015 (DIAG 015EP), and clearly catches the label's close ally in the mood for getting wasted. Prostitutes' Dance Tracksz are schooled with the sort of street knowledge and bluntness that perhaps comes from life as a techno-punk in a blue collar industrial city such as Cleveland, OH: the bullish, PCP-style hardcore bookends of "Ah Yeah" and "War Goes On" say their piece in no uncertain terms, whilst "Bottle Smashing" spits pure industrial street funk and "Prey" deals in riot-inciting jungle-techno. Even the album's sole moment of sentimentality, "I Luv U Bruv" - a gesture of affection for his label boss, Powell - is delivered with an acrid lash of electro-techno, but at least you know he means it. In a sound world spoilt for choice, Prostitutes' refusal of shiny tricks is admirable and almost subversive in the face of hands-in-the-air breakdowns, but there's something about the way he wrenches out every last drop of rusty, jacking funk from his machines that leaves no doubt about Dance Tracksz effect at close quarters. Artwork by Guy Featherstone. Mastered by Matt Colton. REICH + SO PERCUSSION, STEVEDrumming Live CD  $16.99Drumming Live was recorded live in New York City at (Le) Poisson Rouge in 2013 at the Steve Reich Benefit Concert to support the Aldrich Museum. It features Steve Reich's Drumming performed by acclaimed Brooklyn based quartet, Sō Percussion, and includes a 3+ minute version of Clapping Music, performed by Steve Reich and Sō Percussion. Drumming was premiered in 1971 at the Museum of Modern Art. It was the first large-scale piece that Reich wrote and is considered one of the first minimalist masterpieces. 45 years on, it continues to be a fascinating piece of work that keeps listeners intrigued and impressed. Sō Percussion are: Eric Cha-Beach, Adam Sliwinski, Jason Treuting, Josh Quillen; featuring on Percussion: Yumi Tamashiro, Mika Godbole, Amy Garapic, Victor Caccese, and Peter Dodds; featuring on vocals: Elizabeth Myers and Daisy Press; featuring on piccolo: Jessica Schmitz. The artwork is by Sol LeWitt, "Five Geometric Figures in Five Colors (S-56)" (1986). Liner notes written by Grammy Award and Pulitzer Prize winning composer, David Lang. Lang from the liner notes: "Drumming asks for a kind of utopian community, in which a group of people come together without a conductor, building elegance and beauty out of the coordination of their intricate, intense, focused actions." AGUILAR, ILDEFONSOErosion 2LP  $36.99Mental Experience present an expanded reissue of Ildefonso Aguilar's Erosión, originally released in 1985. Spooky, meditative soundscapes inspired by the desolate volcanic environment of Lanzarote (Canary Islands), created using Minimoog, Polymoog, vocal loops, and field recordings. Originally recorded in Germany in 1978 by Spanish painter/sound artist Ildefonso Aguilar, only a selection of the original recordings were released a few years later on a very rare limited edition cassette and LP. Erosión is a masterpiece of proto-ambient, isolationism, and minimal synth music. For the first time ever, Erosión is reissued here on double LP, featuring the complete recordings, as Ildefonso conceived it at the time. Master tape sound; Liner notes in English/Spanish by Frankie Pizá (TIU Mag); Includes download code. RIYL: Edgar Froese, Conrad Schnitzler, Cluster, Klaus Schulze, Michael Stearns, Steve Roach, Brian Eno, Cozmic Corridors, Pina. "Canary Islander Ildefonso Aguilar is best known for his paintings and surreal photography of the desolate volcanic wastelands of his homeland. He was also organizer of concerts at the Jameos del Agua in Lanzarote, a regular event which has featured the likes of Michael Brook, Roedelius, Steve Roach, and numerous other luminaries of ambient and atmospheric music. But, for his own music Ildefonso has never gained the mass recognition he really deserves. Erosión, recorded in 1978, is certainly one of the most fascinating of synth albums I've heard. And, it's remarkable really, if you consider all the technological advances that have happened since, what with digital synthesizers and samplers, that this music created entirely on analogue synthesizers still sounds so fresh and original... Beautiful yet strange, unnerving yet calming. Even more so, at 1¼ hours, Erosión reveals itself as a grand conceived suite, as themes recur in an almost ghostly fashion, as tension builds upon tension, and threatens to explode, which it never quite does! Extraordinary all the way through." --Alan Freeman (Audion Magazine) Ishq Ke Maare: Sufi Songs from Sindh and Punjab, Pakistan LP  on Sublime Frequencies $21.99A searing assemblage of Islamic Sufi spiritual music from the hinterlands of Sindh and Punjab, this compilation marks Sublime Frequencies' debut release of field recordings from Pakistan. Recorded and compiled by Arshia Fatima Haq, founder of Discostan - a collective of artists from an imagined federation of states from Beirut to Bangkok via Bombay - this is a rare, unfiltered collection of devotional music ranging from hypnotic solo instrumentals and vocal lamentations to euphoric ensemble qawwalis. Presenting voices that are imperiled in the country's contemporary political landscape - where renowned singers are assassinated in broad daylight and performance spaces are regularly bombed - this record continues Haq's ongoing project of engaging complex and controversial Islamic practices and rituals that operate in resistance to religious orthodoxy. "During my travels, I recorded both well-known musicians who made regular appearances on Pakistani televisions, and unknown, untrained singers who traveled from shrine to shrine with no possessions, intoxicated in the pursuit of the divine. I recorded in intimate living rooms, in crumbling concert halls, and in remote interior areas where I had to travel with a police escort. From the vertiginous falsetto harmonies of men singing in the female gender to give voice to those who carry the wounds of society, to the sparse and piercing a capella deliverances of itinerants, singing in the spaces of shrines where the doves coo in liturgies to the saints buried therein, this is music of 'unbridled bridledness', collapsing the divide between the divine and the profane. In masterful, often improvised performances on the harmonium, alghoza, been, and bulbul tarang, these songs unfold into an organic recursion of longing and despair, redeemed by an almost erotic promise of reunion with the divine entity. The singers themselves are 'ishq ke maare' - in the throes of love. Their visionary, intuitive form of devotion is in sharp contrast to the rising tide of mathematical and legalistic approach to faith called Wahhabism seen across the Islamic landscape today. These songs are iconoclastic and anarchic, transcending systems of law and social order, to approach what is truly divine in the rawest possible form."--Arshia Fatima Haq. Features performances by Ustad Aacher and Company, Kalyam Sharif Qawwali Troupe, Meeh Wasaiyo, Fatah Daudpoto, Latif Sarkar, Basheer Haidari and Nazira Bano, Shazia Tarannum, Babu, Sain Juman Shah and Fakirs, Ghulam Arshad, and an unknown singer. MY CAT IS AN ALIEN/JEAN-MARC MONTERAUnion Of The Supreme Light LP  $19.99"Joining Maurizio and Roberto Opalio on their fourth album for Starlight Furniture Co., legendary French-Corsican guitarist and co-founder of Groupe de Recherche et d'Improvisation Musicales brings his noisy lyricism to three long tracks of oddly sensual and animalistic space howl. As their past collaborations attest, My Cat Is An Alien's self-sustaining biosphere is an environment where the surreal dreamscapes of mavericks and eccentrics flourish. Jean-Marc Montera's home-made guitar table, objects, and electronics forge metallic ribbons that twitch between the distant clangs of gigantic spores, while Maurizio (on home-made double-bodied string instrument and effects) and Roberto (on alien-tronics, effects, and modified electronic devices) set worms adrift in a zero-gravity aviary stocked with narcotized satsuma fowl. Roberto adds disorientation to the trio's fog-blurred horizon with wordless vocalizations that could pass for billowing laments hooted by mutant sea mammals with enoki mushrooms growing on their larynxes." EL CLUB UPCOMING SHOWSremember - tickets are cash only. this saves us all the service charges!! cate le bon fri feb 3rd  $14lemuria wed feb 8th  $13.00delicate steve  thurs feb 9th  $12.00mike doughty  fri feb 24th   $18.00moon duo sat april 22nd  $13.00 Upcoming events at TrinosophesHappy new year everyone- it's going to be quite a year, guaranteed.  Lots of Feb and March to be added in the next week! every Thursday: Nick Schillace noon residencyThe second of this month-long residency! One of the finest finger-pickers in Michigan, Nick Schillace has the even rarer quality of being a strong musical artist. His guitar chops are always at the service of making good music and as stunning as they are, they never showboat.  Although he’s steeped in old-timey folkloric material, his own solo compositions are firmly in the big-eared Tacoma camp of John Fahey and company.   A founder of Lac La Belle and Duo Unduo, Nick’s played with numerous regional groups, from picking electric guitar with Indoor Park to comping banjo with Detroit Pleasure Society. Trinosophes is excited to be presenting Nick on Thursdays in January and February at noon. Free!   2/3 Viands, Viki Viktoria2/21 The Necks2/24 Mostly Other People Do the Killing   3/3 Baby Dee  4/15 Peter Evans Quartet 4/20 J@K@L4/21 Seraphine Collective presents R Ring, Split Single4/27 Poetry Slam Festival

[bamboomusiclist]

1/4 Futuro Antico / Isole del Suono など新譜7タイトル追加/再入荷しました。

http://bamboo-music.net

Miyako Koda 甲田益也子 / in the shadow of jupiter

Gigi Masin / Wind

Terry Riley - Don Cherry - Kerl Berger / Live in Koln February

Sekiguchi Aiko 関口愛子 / Fly with Me - Time Machine

Jeff parker / slight freedom

Futuro Antico / Isole del Suono

Pit Piccinelli / Amazonia 6891: Sounds From Jungle, Natural Objects, Echo

Gigi Masin / Wind

[ozkar-krapo]

SOLID SPACE "Space Museum" (LP. 2017 / rec. 1982) [UK]

Le FORTE FOUR "Bikini Tennis Shoes" (LP. 2017 / rec. 1975) [US]

Al SIMONES "Enchanted Forest" (LP. 2013 / rec. 1994) [US]

Allen GINSBERG "First Blues" (2xLP. 1982 / rec. 1971-81) [US]

Paul HORN "Inside II" (LP. 1972) [CAN]

Alain SAVEROT "Ballade rustique" (LP. 1982) [FR]

SKY NEEDLE "Rave Cave" (LP. 2012) [AUS]

PRIMA MATERIA "La Coda della Tigre / The Tail of the Tiger" (LP. 2015 / rec. 1976) [ITA]

The DECAYES "Aquarium" (LP. 2014) [US]

PRIMA MATERIA "Live in Concert (Musik der Zeit - Köln 1974" (LP. 2015 / rec. 1974) [ITA]

MATFIELD & The POND "Not quite 'it'" (LP. 1989 / rec. 1980-82) [UK]

REPTILE RANCH "Reptile Ranch" (LP. 2017 / rec. 1979-80) [UK]

Die TÖDLICHE DORIS "" "" (LP. 2017 / rec. 1982) [GER]

Walter MAIOLI, Fred GALES, Pit PICCINELLI "Amazonia 6891" (2xLP. 2016 / rec. 1985) [ITA]

BUZZCOCKS "Love Bites" (LP. 1978) [UK]

DMZ "Relics" (LP. 1981 / rec. 1977) [US] 

[store15nov]

WALTER MAIOL, FRED GALES, PIT PICCINELLI / Amazonia 6891 (CD) WALTER MAIOL, FRED GALES, PIT PICCINELLI による "Amazonia 6891" のCD！！ 1986年にカセット・テープでリリースされて以降、30年の間全く再発されることのなかった伝説の音源。FUTURO ANTICO、AKTUALA のメンバーとして知られる WALTER MAIOLI と、民族学者の PIT PICCINELLI、人類学者の FRED GALES によるアマゾン熱帯雨林のフィールド・レコーディング素材と、電子処理により構成された、植物と生物の具体詩。 online shop 商品ページへ

[ozkar-krapo]

Johnny HALLIDAY "Gabrielle / Né pour vivre sans Amour" (7". 1976) [FR]

SUN RA "Monorails and Satellites" (LP. 2001 / rec. 1966) [US]

ทองคำ เพ็งดี & ฉวีวรรณ ดำเนิน [Performance of the Laotian Mor Lam of Princess Taeng-on (sections 13-24)] (LP. ?) [THA]

V/A "Siamese classic Songs" (LP. ?) [THA]

Michel DINTRICH [Philippe DROGOZ / Louis ROQUIN] "Guitare éclatée" (LP. 1975 / rec. 1974) [FR]

TAZERS "Don't classify me!" (LP. 2000 / rec. 1982/84) [US]

The TIMES "This is London" (LP. 1983) [UK]

Jean-Louis CADEE "Vibra-Jazz" (LP. 197?) [FR]

DISCO ZOMBIES "Drums over London" (LP. 2011 / rec. 1978-80) [UK]

Tomoko SAUVAGE "Ombrophilia" (LP. 2012 / rec. 2009) [JAP]

Masahiko SATO & Wolfgang DAUNER "Pianology" (LP. 2016 / rec. 1971) [JAP/GER]

CIRCLES "Circles" (LP. 2015 / rec. 1983) [GER]

Henri CHOPIN "Oh Audiopoems" (2xLP. 2016 / rec. 1959-79) [FR]

Barney WILEN "Moshi" (2xLP + DVD. 2017 / rec. 1972) [FR]

V/A "Fluxus Anthology" (LP. 2017 / rec. 1956-89) [various]

Walter MAIOLI, Fred GALES, Pit PICCINELLI "Amazonia 6891" (2xLP. 2016 / rec. 1985) [ITA]

The HUMAN EXPRESSION "Love at psychedelic Velocity" (LP. 2013 / rec. 1966-67) [US]